The new teaser poster for the forthcoming James Bond movie Skyfall dropped during the week, and I don’t think I’m exaggerating when I say that I think it’s a belter. With so many generic copycat movie posters out there, it’s not hard to innovate. But even with that in mind, the whiff of originality emanating from this poster really stands out amid the stench of identikit dross currently attacking the senses outside your local multiplex. There’s just something about the use of the classic slanting 007 font, the evocative but oblique action shot of Bond, and the weather-beaten, straight lines of the Skyfall title that gives the poster real impact.
A tasteful trailer campaign and some equally elegant marketing thus far have built a steady buzz, and now because of that, the studio must be expecting Skyfall to make some serious dosh at the box office. Let’s just hope the unconventional (but, in my opinion, inspired) choice of Sam Mendes as director, the already iconic Daniel Craig, and the premium-level thesping of Ralph Fiennes, Javier Bardem and Judi Dench helps the film’s quality to match that of its marketing. Check out the poster below:
Alfred Hitchcock, that iconic film giant encased in the plump, unassuming body of an English boy from Leytonstone has already made his mark on the silver screen. Psycho, Vertigo, Rear Window, North by Northwest, and many others have left indelible marks on the cinematic consciousness and inspired generations of filmmakers.
Such is his status in the film world, and with the notoriously strong link between his personal life and his professional output in mind, it’s perhaps surprising that it’s taken this long for a biopic to be made of the man. This is all about to change, with Anthony Hopkins’ star turn in Sacha Gervasi’s Hitchcock due to come out in February. As if that weren’t enough, this isn’t the only Hitch biopic coming to screens, oh no. With HBO’s TV movie, The Girl coming out in October, films about Hitchcock appear to be like the proverbial London Buses.
Where they differ, though, is in the fact that The Girl is adapted from Tippy Hedren’s account of making The Birds (and is probably fairly scathing as a result-they didn’t get on), whereas Hitchcock details the making of Psycho, and its success.
Both trailers have whetted my appetites for each piece, and I approve of the route of taking an episode from his life, rather than trying to tell the entire story. A mistake that has resulted in many an overlong, undercooked biopic. The trailer for Hitchcock is below, compare it to this trailer for The Girl and feel free to tell us (and the world) what you think in the comments section.
Although Ashton Kutcher may look the part in this picture I have my reservations about his acting ability. Don’t get me wrong I think Ashton Kutcher is good in comedy roles, but this is a different kettle of fish. Here he as to portray a popular figure known all around the world, for some people I don’t think it is a stretch to say they saw him as some sort of technological messiah. The script is in safe hands with Aaron Sorkin who has a proven track record in dealing with stories of modern technological events with his work on The Social Network. In a recent interview Sorkin has revealed he the film will be made of just three acts all set before Jobs is due to go and stage and reveal a new technology. An interesting concept, after reading his biography I wonder how in just three scenes they will be able to give you the whole picture of a very complicated man though?
Whoa! This has been a big week in movie trailers. The new Man of Steel trailer is up, The Lone Ranger got its first full trailer, and the Tom Cruise-starring Oblivion set its first trailer on an unsuspecting public. In addition to this, a promising-looking upcoming Brit-crime film Welcome to the Punch brought out its own action heavy trailer, in order to remind us that us Brits don’t only make worthy period dramas. But this is all beaten by my personal favourite, Pacific Rim.
Tom Cruise plays a droid repairman (one of the last few on Earth) in Oblivion. A post-apocalyptic Sci-Fi directed by Joseph Kosinski, the guy who made… er… Tron: Legacy. Still, the early footage looks inviting, with strong production design, and as an avowed Tom Cruise fan, I still think the guy can make a comeback. Even if there’s a credibility gap when it comes to imagining him as a droid repairman.
Despite Zach Snyder’s reputation as a brash, showy, slo-mo merchant, the early footage for Man of Steel has retained a restrained, thoughtful, obtuse quality. Could it the steady hand of exec producer Christopher Nolan on the tiller? His brother Jonathan and David Goyer shaping the story? A young up-and-comer in Henry Cavill in the starring role? Or could it be that Zach Snyder finally grew up? We’ll know when we see it in 2014.
The Lone Ranger shouldn’t work. On paper, I mean. A remake of a 1930s radio serial and 1950s TV show? Get of out of town! Still, the Jerry Bruckheimer factor turned Pirates of the Caribbean from a theme park ride to a cinematic behemoth, Armie Hammer has the talent to carry a franchise, and it has kooky Johnny Depp… er, being kooky Johnny Depp, by the looks of things. It has an interesting visual style, as well it might, with Gore Verbinski on board. As maligned as the Pirates sequels are, it’s undeniable that Gore Verbinski has an interesting visual style, and hopefully he can marry it to the kind of storytelling he displayed in the first Pirates movie, or the still criminally under-seen Rango.
As an initially unlikely action star, James McAvoy showed some action chops in Wanted and showed he likes a genre pic with X-Men: First Class. Here, he plays an unhinged detective given one last chance at redemption in this anticipated Brit-thriller gathering plenty of buzz. Oh yeah, and it also stars Mark Strong. If that doesn’t excite you, I feel sorry for you.
And finally, we have Guillermo Del Toro’s Pacific Rim. Del Toro got sick of the pace of making The Hobbit, and went and make this, and boy, does it look exciting. We have monsters from the sea, giant robots, future Earth, Idris Elba, and…. GUILLERMO DEL TORO. In case you hadn’t guessed, I’m a little bit excited.
Excited by these films? Maybe you hate them? Either way, feel free to tell us why in the comments.
How do you follow up one of the defining television series over the past 20 years? Fortunately for us lesser beings, it’s not a dilemma we’ll ever have to face. David Chase, on the other hand, does. Five years after the televisual phenomenon that was The Sopranos, Chase is about to release his latest opus: Not Fade Away.
Set in the 1960s, and titled after a Rolling Stones song, it already sounds painfully hip. It would be understandable if well-trodden path of photogenic young cast, themes of coming of age, music and love all alongside added trendiness, make you want to barf in your rucksack.
But, with this being David Chase, the man who brought us the conflicted, flawed, but scarily relatable Tony Soprano and his brood, you’d like to think you can trust him to bring us some memorable characters. Partly autobiographical, I am personally hoping it can echo Dazed and Confused, and bring us believable teens and that same sense of nostalgia for a time I never lived that Dazed and American Graffiti engendered.
The Sopranos was more than a TV series about gangsters, using a violent criminal subculture as a prism through which to view society was a masterstroke. Can Chase do it again?
Sadly, early buzz coming out of the film festivals has been mixed, but if one of the GODS OF TELEVISION can’t benefit from the doubt, then I don’t know who can. Check out the trailer below.